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Free download and watch Spider-Man 2
Peter Parker is an unhappy man: after two years of fighting crime as Spider-Man, his life has begun to fall apart. The girl he loves is engaged to someone else, his grades are slipping, he cannot keep any of his jobs, and on top of it, the newspaper Daily Bugle is attacking him viciously, claiming that Spider-Man is a criminal. He reaches the breaking point and gives up the crime fighter's life, once and for all. But after a failed fusion experiment, eccentric and obsessive scientist Dr. Otto Octavius is transformed into super villain Doctor Octopus, Doc Ock for short, having four long tentacles as extra hands. Peter guesses it might just be time for Spider-Man to return, but would he act upon it?
Quite surprisingly good
Well I saw the first and Thought .. OK, nice movie, but nothing special. So I wasn't looking much forward to the second one. Boy was I wrong.. The second one has it all... And I mean all. Suspense, romance, action and some quite nice Effects. Tobey Maguire is performing well, and Kirsten Dunst... wauw.... she is breathtaking...And only 22, so we can only hope to see more of her the coming years. Last but not least, Alfred Molina, who is the bad guy. He is very convincing and very very nasty. The computer-effects used are better than I have ever seen. Now you get the feeling of flying. I recommend all to see this movie, yes girls too. Remember.. movies are best in the cinema!
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Free download and watch Boyhood
Filmed over 12 years with the same cast, Richard Linklater's BOYHOOD is a groundbreaking story of growing up as seen through the eyes of a child named Mason (a breakthrough performance by Ellar Coltrane), who literally grows up on screen before our eyes. Starring Ethan Hawke and Patricia Arquette as Mason's parents and newcomer Lorelei Linklater as his sister Samantha, BOYHOOD charts the rocky terrain of childhood like no other film has before. Snapshots of adolescence from road trips and family dinners to birthdays and graduations and all the moments in between become transcendent, set to a soundtrack spanning the years from Coldplay's Yellow to Arcade Fire's Deep Blue. BOYHOOD is both a nostalgic time capsule of the recent past and an ode to growing up and parenting.
Reinforcing the limitlessness of DIY filmmaking
Once a year, over the last 12 years, Richard Linklater ('Waking Life' / 'Before Sunset') has reunited the same cast and shot segments of a feature film following the life of a boy (played by Ellar Coltrane who literally grew into this part and became an actor of substance) from the age of 5 through the age of 18; the result is both fascinating and inspired. The only other project that comes close in comparison is Michael Apted's 'Seven Up' series which documents the lives of a collection of school children in 7-year intervals, starting in 1964 and still going as of the latest edition in 2012. What's so unique about 'Boyhood' is that these individuals (including Ethan Hawke, Patricia Arquette, and Linklater's own daughter, Lorelei Linklater) evolve and age within a scripted narrative that is not 'like' a time capsule, this is a completely authentic period piece that retraces an era from the cultural response to September 11th, through the election of Barrack Obama, and into the age of social media saturation. As you watch these actors morph through more than a decade of their lives within a few hours, the story becomes as engaging as its concept. Throughout my life and travels, I've heard so little enthusiasm for Linklater outside of Austin and it's a shame because he is a unique force within the industry and quite an American gem. The director received a well-deserved standing ovation from SXSW's elated audience having, once again, set a new standard in the exploration of film's potential and reinforcing the limitlessness of DIY filmmaking.
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Free download and watch The Secret Life of the American Teenager
The highly acclaimed TV series - 'The Secret Life of the American Teenager' (2008-2013) - documents the evermore complicated yet heart warming life of Amy Juergens; a typical high-school student who is characterized by her ambition and musical talent. However, it is after one hormonal-driven night at Band Camp, that she is faced with a responsibility no 15-year-old wants to take; being a teen mom. The audience are taken on a journey with Amy as she confronts her problem and the father of her baby.
Not worth it
The whole plot line is nothing but sex. Sex sex sex. From all walks of life; whether it is the meek girl who was taken advantage of, the player, the wannabe-player, the bad girl, the girl who wants to save it till marriage, the boyfriend who wants to pressure her to give in...
Seriously, there does not seem to be at least one sentence where the characters are not talking about intercourse. ALL of the characters.
It's nothing but stereotypes, and really bad dialogue. And unrealistic in regards to what life as a teen really is like. If it is suppose to be a satire, or a spoof of some sort...doesn't seem to be doing a great job.
And for one thing, the adults themselves appear to be brainless. If a principle KNEW that a boy wanted to join the band just because he wanted to pick up girls....wouldn't it be refused overall? The kid even asked for a condom!
And I tire of the stereotypical portrayal of girls who do want to wait till marriage. Not all of them are girly, pushy, over religious and braggy about their chastity. But yet will eventually will always "give in" to their apparent urges.
And not all teenage boys are crazy horny 24/7 with bad intentions on their minds.
The whole sex theme and teen pregnancy is getting old - especially if it isn't done well and creatively.
It gives a whole general bad impression on American society, as if all teens are really like this.
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Free download and watch In the Blood
When her husband goes missing during their Caribbean vacation, a woman sets off on her own to take down the men she thinks are responsible.
Carano is really making a name for herself (as an action movie star)!
'IN THE BLOOD': Three and a Half Stars (Out of Five)
MMA fighter turned action movie star Gina Carano plays the lead in this crime thriller directed by John Stockwell (who's directed other popular B movies like 'BLUE CRUSH' and 'INTO THE BLUE'). It was written by James Robert Johnston and Bennett Yellin (the duo also wrote the horror movie sequel 'JOY RIDE 2: DEAD AHEAD') and tells the story of a recently married woman, with a violent past, who's husband goes missing on the couple's Caribbean honeymoon (after he has a freak zip-lining accident). It costars Cam Gigandet, Luis Guzman, Danny Trejo, Amaury Nolasco, Stephen Lang, Treat Williams and Ismael Cruz Cordova. It's not as good as Carano's first venture into leading lady action flick status ('HAYWIRE') but it is surprisingly well made and effective.
Carano plays Ava, a skilled fighter who was raised to be an emotionless killing machine, by her abusive father (Lang). With her marriage to Derek (Gigandet) she's hoping to leave that life behind but it of course haunts her once again, when the couple goes honeymooning in the Caribbean. First they get into a bar fight with a local crime boss, named Big Biz (Trejo), and his men. Then Derek has an accident, while the two are zip-lining, and goes missing on his way to the hospital. Ava will stop at nothing to find out what happened to him; even when the police, lead by Chief Ramon Garza (Guzman), are useless.
The movie is surprisingly intense and brutally violent. It's well written (for a B movie), with plenty of surprising twists, and decently directed too, by Stockwell. The cast is all impressive (for a film like this) especially Carano though. I'm really interested in seeing her continue to pursue this action movie career and I think she's off to a great start. Her part in 'FAST & FURIOUS 6' was a bit too small (and wasted her talents) but with this flick, and 'HAYWIRE', I think she's really making a name for herself (as an action movie star). It would have been really cool to see her play Wonder Woman, in the upcoming 'JUSTICE LEAGUE' franchise, she's already dating Superman (Henry Cavill)!
Watch our movie review show 'MOVIE TALK' at: https://www.youtube.com/watch?v=-Bkb6WOhUtc
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Free download and watch Transformers: Age of Extinction
An automobile mechanic and his daughter make a discovery that brings down the Autobots - and a paranoid government official - on them.
An egregious amount of attention is again afforded to the special effects, but the moments in between grow correspondingly less intelligent.
While the human cast has traded off slightly for "Transformers: Age of Extinction," it's still fairly inconsequential to the primary focus of the film. Coupled with several other notable faults pinpointed in former entries, which continue to plague the series, and it's evident that not much has changed. An egregious amount of attention is again afforded to the special effects, embellishing the action sequences in more and more grandiose fashions, but the moments in between grow correspondingly less intelligent.
The majority of characters involved are insipid to an extreme, giving the impression that an unwritten rule exists mandating that the prettier the face, the worse the associated dialogue. But director Michael Bay aims for the stars with his visuals, furnishing no doubt that the sheer scope of humans fighting giant robots fighting even bigger robots fighting dinosaurs will thrill those who value explosions over credible plots and character development. Exploring the Transformers origins and integrating fresh otherworldly designs into the mythology are a step in the right direction, but little else found in this installment leans towards anything meaningful.
Five years have passed since the invasion of Chicago and the U.S. government's abolishment of joint combat operations with the Autobots. Scattered and forced into hiding, several new threats have arisen against the noble robotic aliens and the humans that strive to aid them. When struggling inventor Cade Yeager (Mark Wahlberg) unwittingly awakens a damaged Optimus Prime (Peter Cullen), his desire to help the Transformer places his daughter Tessa's (Nicola Peltz) life in jeopardy by power-hungry CIA commander Harold Attinger (Kelsey Grammar) and the dangerous galactic bounty hunter in his employ. With the help of Autobots Drift (Ken Watanabe), Crosshairs (John DiMaggio), Hound (John Goodman), Bumblebee, and a group of ancient warriors, Optimus Prime and Cade must not only attempt to stop Attinger and his nefarious plan to exterminate all alien life, but also thwart billionaire inventor Joshua Joyce's (Stanley Tucci) project to build his very own Transformers.
As if to heed the advice of "22 Jump Street" from a couple of weeks earlier, this new chapter of the Transformers franchise is taking many of the ideas from the previous films and recycling them for what feels like just another episode of a television series. It's entirely more of the same. Obviously, the budget and special effects far eclipse anything on TV, but the story lines, characters, and pacing aren't far removed from such series of sci-fi-oriented programs. There are far too many subplots for a single feature and far too many supporting characters, all of who receive numerous lines of dialogue that do nothing more than drag out an already unbearable running time. At least, the inclusion of dinosaur-like robots (Dinobots!) winningly introduces concepts toymaker Hasbro has been integrating into the sizable Transformers lore.
Although the visuals are intense and impressive, with a few Autobot showdowns exhibiting exhilarating levels of destruction (and some fresh, engaging environments and structures for battlegrounds), it's all of the human elements that grow most tiresome - incredibly fast. The generic scripting, unoriginal backchat, and overdramatized emotions are nearly unwatchable, as several vapid roles seem cast solely for physical attractiveness. Indeed, director Michael Bay has once again hired a largely unknown, young female model as the lead love interest, costumed in extra short shorts and revealing tops. Additionally, sexy women pop up from time to time to flash brief skin like something out of a provocative commercial (including a leggy woman in an elevator and a foursome of Joyce's assistants in skirts and heels).
Supplementing the unnecessary details are scenes of Bay's signature slow motion, overdone to the point of grating obnoxiousness. It's excruciating to see efforts spent on pointless trivialities like a variety of added Transformer ethnicities, cabbaged conceptualizations from "Independence Day," and stunts so outlandish that no fleshly entity could possibly survive them (let alone initiate them). These divagations allow the omission of relevant factors, such as adequately bridging the gap between the Chicago invasion and the band of Texas commoners, elaborating on the insultingly inexplicit enemy capabilities, and touching upon the CIA Black Ops conducts that are dismissed with annoyingly uninspired "don't ask" vagueness.
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Free download and watch Shame
Brandon is a 30-something man living in New York who is unable to manage his sex life. After his wayward younger sister moves into his apartment, Brandon's world spirals out of control. Shame examines the nature of need, how we live our lives and the experiences that shape us.
It's not about sex, it's about shame
Brandon seems to be successful in life: a steady job, a nice apartment, good friends and success with women. But something prevents Brandon from having a relationship that lasts more than four months, this incapacity is due to the fact that Brandon is a sex addict: to casual encounters with strangers and prostitutes, to pornography (both during and after working hours), to masturbation. And to some extent he seems to have his addiction under control, until her sister Sissy arrives unexpectedly looking for a place to live for a while.
Under this premise British director Steve McQueen delivers a fascinating character study which explores how modern life (in which new technologies play a major role), increasingly isolates people and makes them unable to establish emotional bonds with others. In the case of Brandon, a hunter in search of pleasure and not love, the arrival of his sister will make him prey of his emotions and will make him face his reality.
One aspect that has caused controversy is the way so raw and explicit to show Brandon's sexual encounters, however this becomes a necessary element, since it is through them that you can see Brandon's need and desperation as Sissy is more involved in his life. Special mention deserves the dynamics established between them, since it is fully nuanced and can even be uncomfortable to witness but is devastatingly emotional(especially in the last minutes of the story).
However, the most important element for the success of the film lies in the performances: in the hands of less committed actors Brandon and Sissy's conflicts would be unconvincing, but McQueen wisely chooses Michael Fassbender (both had previously worked together on Hunger), who literally bares body and soul to take Brandon's emotions to the limit and does it so impressively in a brave and courageous performance (and unfortunately the Academy possibly considered too intense for consideration in their nominations). Meanwhile Carey Mulligan proves to be one of the young actresses with the best prospects and acting range nowadays: her rendition of the classic song New York, New York is an utter delight as well is one of the best scenes in the film.
Shame, in the end (as in most character studies) does not seek to create empathy for the characters, but rather wants us to reflect and ask ourselves how we would react in similar situations.
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